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Winner of the 2021 Connecticut Book Award in Poetry.

Winner of the Foreword INDIES Book of the Year Award (silver).

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In My Husband Would, Benjamin Grossberg brings us to the 1990s gay clubs of Houston, to Macy’s Herald Square, and to a family seder with an imaginary daughter. Here, the poet’s parents dance awkwardly and alone at a wedding until he confesses, “I know nothing of love.” Here are all the awkward intimacies of sex, desire, loss, and commitment. Here, the poet imagines his own wedding to “a column of air”—to freedom, to time, to sex. In poem after poem, Grossberg creates that experience, intimate and enthralling, of laying bare a life, of getting us through it with enormous wit, sadness, grace, and complexity. This is a brilliant book, one I will return to with joy and envy.

                                             -—Kevin Prufer

 

The brilliance of Benjamin Grossberg’s new book lies in how many places it takes you: into the AIDS experience of the ’90s; into an imagined literary journey in which the poet’s mother moves through days and nights as a ghost form, writing a novel. One poem gives us the speaker encountering the development of his face as he ages, “facial features / drifting like continents / on the globe of my head”; in another, we climb with him up a rickety ladder to undertake a chimney repair because he refuses to pay someone do it for him: “I climbed higher, / seeing the top and overtop, as if / I were the sun having finally risen.” These poems, so often hilarious, are dizzyingly accomplished and deeply moving. My Husband Would is hands-down one of the best books of poems I’ve read in years.

                                                 —Cate Marvin

My Husband Would is the fourth full-length collection of poems by Benjamin S. Grossberg, winner of the 2008 Tampa Review Prize and the 2010 Lambda Literary Award. Set at the crossroads of middle age, this book investigates love and family—both the families we are born into and those we create for ourselves. Funny, cinematic, and inventive, the poems recount family lore—a mother’s options, the clouded circumstances of a distant marriage—side by side with the perplexities of contemporary romance. These poems show us that marriage and family are a learned project, one passed down, to be attempted by each new generation as best it can with the realities at hand. Grossberg surveys the strangeness of what our parents and families teach us about intimacy and what we ourselves learn as we stumble through the landscape of contemporary dating. He finally casts his gaze to future possibility: what we would be, would do, if we could. As Grossberg notes, amid the bustle of our lives, the relationships that help us understand who we are, those losses and discoveries, begin with the simplest impulses, like “the courage/ to go up and say hello.”

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